Akademik Veri Yönetim Sistemi
Ethics and Society, cilt.20, sa.2, 2026 (SCI-Expanded, Scopus)
This article employs mattertext, a posthuman theoretical protocol devised for literary and artistic analyses, to scrutinize Marco Donnarumma’s biophysical performances as examples of crip aesthetics. Focusing on such works by Donnarumma as Ominous, Eingeweide, Corpus Nil, Hypo Chrysos, and I Am Your Body, the study argues that these works enact a crip mattertextual aesthetics in which noise, error, and failure operate as epistemic and ethical forces. Drawing from new materialist and poststructuralist thought, mattertext theorizes every act of inscription, ranging across sonic, bodily, and algorithmic, as an intra-active process where matter and meaning co-constitute one another. Through this framework, Donnarumma’s collaborative and AI-informed performances are read as critical reorientations toward vulnerability, interdependence, and collective access. Driven by such reoriented aesthetics, the article proposes noise-as-knowledge as the core of a crip mattertextual ethics: a redefinition of art, science, and technology as co-writing ecologies that value repair over perfection and reciprocity over control. Donnarumma’s practice thus exemplifies how posthumanist inquiry can amplify disabled embodiment as a creative and relational mode of world-making.